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Sir Lawrence Alma-Tadema's Sappho and Alcaeus (above) portrays her staring rapturously at her contemporary Alcaeus; images of a lesbian Sappho, such as Simeon Solomon's painting of Sappho with Erinna (below), were much less common in the nineteenth century. In classical Athenian comedy (from the Old Comedy of the fifth century to Menander in the late fourth and early third centuries BC), Sappho was caricatured as a promiscuous heterosexual woman, and it is not until the Hellenistic period that the first testimonia which explicitly discuss Sappho's homoeroticism are preserved.